Stephen 20th Century English Poet Novelist And Essayist

Sir Stephen Harold SpenderCBE (28 February 1909 – 16 July 1995) was an English poet, novelist, and essayist who concentrated on themes of social injustice and the class struggle in his work. He was appointed Poet Laureate Consultant in Poetry to the United States Library of Congress in 1965.

Biography[edit]

Early years[edit]

Spender was born in Kensington, London, to journalist Harold Spender and Violet Hilda Schuster, a painter and poet, of German Jewish heritage.[1][2] He went first to Hall School in Hampstead and then at thirteen to Gresham's School, Holt and later Charlecote School in Worthing, but was unhappy there. On the death of his mother he was transferred to University College School (Hampstead), which he later described as "that gentlest of schools."[3] Spender left for Nantes and Lausanne and subsequently went up to University College, Oxford (much later, in 1973, he was made an honorary fellow). Spender said at various times throughout his life that he never passed an exam, ever. Perhaps his closest friend and the man who had the biggest influence on him was W. H. Auden, who introduced him to Christopher Isherwood. The earliest version of Poems written by Auden was hand-printed by Spender. He left Oxford without taking a degree and in 1929 he moved to Hamburg. Isherwood invited him to come to Berlin. Every six months Spender went back to England.

Spender was acquainted with fellow Auden Group members Louis MacNeice, Edward Upward and Cecil Day-Lewis. He was friendly with David Jones and later came to know W. B. Yeats, Allen Ginsberg, Ted Hughes, Joseph Brodsky, Isaiah Berlin, Mary McCarthy, Roy Campbell, Raymond Chandler, Dylan Thomas, Jean-Paul Sartre, F.T. Prince and T. S. Eliot, as well as members of the Bloomsbury Group, in particular Virginia Woolf.

Career[edit]

Spender began work on a novel in 1929, which was not published until 1988, under the title The Temple. The novel is about a young man who travels to Germany and finds a culture at once more open than England's—particularly about relationships between men—and showing frightening anticipations of Nazism, which are confusingly related to the very openness the main character admires. Spender says in his 1988 introduction:

In the late Twenties young English writers were more concerned with censorship than with politics... 1929 was the last year of that strange Indian Summer—the Weimar Republic. For many of my friends and for myself, Germany seemed a paradise where there was no censorship and young Germans enjoyed extraordinary freedom in their lives...[4]

His early poetry, notably Poems (1933) was often inspired by social protest. Living in Vienna his convictions found further expression in Forward from Liberalism and in Vienna (1934), a long poem in praise of the 1934 uprising of Austrian socialists, and in Trial of a Judge[5] (1938), an anti-Fascistdrama in verse.

In 1936 he became a member of the Communist Party of Great Britain. Harry Pollitt, head of the CPGB invited him to write for the Daily Worker on the Moscow Trials. In late 1936, Spender married Agnes Maria (Inez) Pearn, whom he had only recently met at an Aid to Spain meeting.[6][page needed][7] She is described as 'small and rather ironic,' and 'strikingly good-looking'. In 1937, during the Spanish civil war, the Daily Worker sent him to Spain. His mission was to observe and report on the Soviet ship Komsomol, which had sunk while carrying Soviet weapons to the Second Spanish Republic. Spender travelled to Tangier and tried to enter the country via Cadiz, but he was sent back. Then he travelled to Valencia and met Ernest Hemingway and Manuel Altolaguirre. (Tony Hyndman, alias Jimmy Younger had joined the International Brigade who were fighting against Francisco Franco's forces in the Battle of Guadalajara.) Spender was imprisoned for a while in Albacete. In Madrid he met André Malraux; they discussed André Gide's Retour de l'U.S.S.R. Because of medical problems he went back to England and bought a house in Lavenham. In 1939 he divorced.

His 1938 translations of works by Bertolt Brecht and Miguel Hernández appeared in John Lehmann's New Writing.[8]

He felt close to the Jewish people; his mother, Violet Hilda Schuster, was half Jewish (her father's family were German Jews who converted to Christianity, while her mother came from an upper-class family of Catholic German, Lutheran Danish and distantly Italian descent). Spender's second wife, Natasha, whom he married in 1941, was also Jewish. In 1942 he joined as a volunteer the fire brigade of Cricklewood and Maresfield Gardens. Spender met several times with the poet Edwin Muir.

A member of the political left wing during this early period, he was one of those who wrote of their disillusionment with communism in the essay collection The God that Failed (1949), along with Arthur Koestler and others.[9] It is thought that one of the big areas of disappointment was the Molotov-Ribbentrop Pact between Nazi Germany and Stalinist Russia, which many leftists saw as a betrayal. Like fellow poets W. H. Auden, Christopher Isherwood, and several other outspoken opponents of fascism in the 1930s, Spender did not see active military service in World War II. He was initially graded "C" upon examination due to his earlier colitis, poor eyesight, varicose veins, and the long-term effects of a tapeworm in 1934. However, he contrived by pulling strings to be re-examined and was upgraded to "B" which meant that he could serve in the London Auxiliary Fire Service. Spender spent the winter of 1940 teaching at Blundell's School, having taken the position left vacant by Manning Clark, who returned to Australia as a consequence of the war to teach at Geelong Grammar.[10]

After the war he was a member of the Allied Control Commission, restoring civil authority in Germany.[11]

With Cyril Connolly and Peter Watson Spender co-founded Horizon magazine and served as its editor from 1939 to 1941. From 1947 till 1949 he went to the USA several times and saw his friends Auden and Isherwood. He was editor of Encounter magazine from 1953 to 1966, but resigned after it emerged that the Congress for Cultural Freedom, which published the magazine, was being covertly funded by the CIA.[12] Spender always insisted that he was unaware of the ultimate source of Encounter's funds. Spender taught at various American institutions, accepting the Elliston Chair of Poetry[13] at the University of Cincinnati in 1954. In 1961 he became professor of rhetoric at Gresham College, London.

He helped found the magazine Index on Censorship, he was involved in the founding of the Poetry Book Society, and he did work for UNESCO.[14]

He was appointed the seventeenth Poet Laureate Consultant in Poetry to the United States Library of Congress in 1965.[15]

Spender was Professor of English at University College, London, 1970–77, and then became Professor Emeritus.

Spender was made a Commander of the Order of the British Empire (CBE) at the 1962 Queen's Birthday Honours,[16] and knighted in the 1983 Queen's Birthday Honours.[17][18]

At a ceremony commemorating the 40th Anniversary of the Normandy Invasion, D-day on 6 June 1984, President Ronald Reagan quoted from Spender's poem "The Truly Great" in his remarks:

Gentlemen, I look at you and I think of the words of Stephen Spender's poem. You are men who in your "lives fought for life... and left the vivid air signed with your honor."

Personal life[edit]

In 1933, Spender fell in love with Tony Hyndman, and they lived together during 1935–1936.[19] In 1934, Spender had an affair with Muriel Gardiner. In a letter to Christopher Isherwood in September 1934 he said: "I find boys much more attractive, in fact I am rather more than usually susceptible, but actually I find the actual sexual act with women more satisfactory, more terrible, more disgusting, and, in fact, more everything."[19] In 1936, shortly after the end of his relationship with Tony Hyndman, Spender fell in love with and married Agnes Maria Pearn (known as Inez Pearn). This marriage broke down in 1939.[19] In 1941, Spender married Natasha Litvin, a concert pianist. This marriage lasted until his death. Their daughter Lizzie is married to the Australian actor and comedian Barry Humphries, and their son Matthew Spender is married to the daughter of the Armenian artist Arshile Gorky.

Spender's sexuality has been the subject of debate. Spender's seemingly changing attitudes have caused him to be labeled bisexual, repressed, latently homophobic, or simply someone so complex as to resist easy labelling.[20] Many of his friends in his earlier years were gay. Spender himself had many affairs with men in his earlier years, most notably with Tony Hyndman (who is called "Jimmy Younger" in his memoir World Within World). Following his affair with Muriel Gardiner he shifted his focus to heterosexuality,[11] though his relationship with Hyndman complicated both this relationship and his short-lived marriage to Inez Pearn (1936–1939). His marriage to Natasha Litvin in 1941 seems to have marked the end of his romantic relationships with men, although not the end of all homosexual activity, as his unexpurgated diaries reveal.[21] Subsequently, he toned down homosexual allusions in later editions of his poetry. The following line was revised in a republished edition: "Whatever happens, I shall never be alone. I shall always have a boy, a railway fare, or a revolution." was later revised to read: "Whatever happens, I shall never be alone. I shall always have an affair, a railway fare, or a revolution." Spender sued author David Leavitt for allegedly using his relationship with "Jimmy Younger" in Leavitt's While England Sleeps in 1994. The case was settled out of court with Leavitt removing certain portions from his text.

On 16 July 1995, Spender died of a heart attack in Westminster, London, aged 86.[22] He was buried in the graveyard of St Mary on Paddington Green Church in London.

Stephen Spender Trust[edit]

The Stephen Spender Trust is a registered charity that was founded to widen knowledge of 20th century literature, with particular focus on Stephen Spender’s circle of writers, and to promote literary translation. The Trust's activities include poetry readings; academic conferences; a seminar series in partnership with the Institute of English Studies; an archive programme in conjunction with the British Library and the Bodleian; work with schools via Translation Nation; The Guardian Stephen Spender Prize, an annual poetry translation prize established in 2004; and the Joseph Brodsky/Stephen Spender Prize, a worldwide Russian–English translation competition.[23]

Awards and honours[edit]

Spender was awarded the Golden PEN Award in 1995.[24]

List of works[edit]

Poetry collections[edit]

  • Nine Experiments (1928, privately printed)
  • Twenty Poems (1930)
  • Poems (1933; 2nd edition 1934)
  • Vienna (1934)
  • The Still Centre (1939)
  • Ruins and Visions (1942)
  • Spiritual Exercises (1943, privately printed)
  • Poems of Dedication (1947)
  • The Edge of Being (1949)
  • Collected Poems, 1928–1953 (1955)
  • Selected Poems (1965)
  • The Express (1966)
  • The Generous Days (1971)
  • Selected Poems (1974)
  • Recent Poems (1978)
  • Collected Poems 1928–1985 (1986)
  • Dolphins (1994)
  • New Collected Poems, edited by Michael Brett, (2004)

Drama[edit]

  • Trial of a Judge[5] (1938)
  • Rasputin's End (opera libretto, music by Nicolas Nabokov, 1958)
  • The Oedipus Trilogy (1985)

Novels and short story collections[edit]

Criticism, travel books and essays[edit]

  • The Destructive Element (1935)
  • Forward from Liberalism (1937)
  • Life and the Poet (1942)
  • Citizens in War – and After (1945)
  • European Witness (1946)
  • Poetry Since 1939 (1946)
  • The God That Failed (1949, with others, ex-Communists' testimonies)
  • Learning Laughter (1952)
  • The Creative Element (1953)
  • The Making of a Poem (1955)
  • The Struggle of the Modern (1963)
  • The Year of the Young Rebels (1969)
  • Love-Hate Relations (1974)
  • Eliot (1975; Fontana Modern Masters)
  • W. H. Auden: A Tribute (edited by Spender, 1975)
  • The Thirties and After (1978)
  • China Diary (with David Hockney, 1982)

Memoir[edit]

  • World Within World (1951). This autobiography is a re-creation of much of the political and social atmosphere of the 1930s.

Letters and journals[edit]

  • Letters to Christopher: Stephen Spender's Letter to Christopher Isherwood (1980)
  • Journals, 1939–1983 (1985)
  • New Selected Journals, 1939–1995 (2012)

See also[edit]

References[edit]

  1. ^John Sutherland (6 January 2005). Stephen Spender: A Literary Life. Oxford University Press, USA. p. 16. ISBN 978-0-19-517816-6. 
  2. ^David Leeming (1 April 2011). Stephen Spender: A Life in Modernism. Henry Holt and Company. p. 19. ISBN 978-1-4299-3974-4. 
  3. ^John Sutherland (6 January 2005). Stephen Spender: A Literary Life. Oxford University Press, USA. p. 44. ISBN 978-0-19-517816-6. 
  4. ^Bozorth, Richard R. (1995). "But Who Would Get It? Auden and the Codes of Poetry and Desire". ELH. 62 (3): 709–727. doi:10.1353/elh.1995.0023. 
  5. ^ ab"Trial of a Judge: A Tragedy in Five Acts". questia.com. Retrieved 8 April 2015. 
  6. ^Isherwood, Christopher (2012). Christopher and His Kind. Vintage. ISBN 9780099561071. 
  7. ^Pace, Eric (1995-07-18). "Stephen Spender, Poet of Melancholic Vision and Social Conscience, Dies at 86". The New York Times. ISSN 0362-4331. Retrieved 2017-10-08. 
  8. ^New Writing at Google Books Accessed 21 March 2009
  9. ^"Stephen Spender". poetryarchive.org. 
  10. ^Stephen Holt, Manning Clark and Australian History, 1915–1963, St Lucia: UQP, 1982, p 60.
  11. ^ abSutherland, John (September 2004). "Spender, Sir Stephen Harold (1909–1995)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/57986. Retrieved 21 December 2008. 
  12. ^Frances Stonor Saunders (12 July 1999). "How the CIA plotted against us". New Statesman. Retrieved 21 December 2008. 
  13. ^http://asweb.artsci.uc.edu/english/cw/elliston.html[permanent dead link]
  14. ^Warwick McFadyen, review of John Sutherland's biography "Stephen Spender", The Age, Review, p.3
  15. ^"Poet Laureate Timeline: 1961–1970". Library of Congress. 2008. Retrieved 19 December 2008. 
  16. ^"No. 42683". The London Gazette (Supplement). 25 May 1962. pp. 4316–4317. 
  17. ^"No. 49375". The London Gazette (Supplement). 10 June 1983. pp. 1–2. 
  18. ^"No. 49575". The London Gazette. 20 December 1983. p. 16802. 
  19. ^ abcSutherland, John (2004). "Sir Stephen Harold Spender". Oxford Dictionary of National Biography. Oxford University Press. 
  20. ^"glbtq >> literature >> Spender, Sir Stephen". glbtq.com. Archived from the original on 9 October 2014. Retrieved 8 April 2015. 
  21. ^Paul Kildea, Benjamin Britten: A Life in the Twentieth Century, p. 216
  22. ^Stephen Spender: A Literary Life
  23. ^"The Stephen Spender Trust". stephen-spender.org. 
  24. ^"Golden Pen Award, official website". English PEN. Retrieved 3 December 2012. 

Further reading[edit]

  • Hynes, Samuel. The Auden Generation. 1976.
  • Spender, Matthew. A House in St John's Wood: In Search of My Parents . Farrar, Straus and Giroux, 2015.
  • Sutherland, John. Stephen Spender: The Authorized Biography. 2004; U.S. edition: Stephen Spender: A Literary Life. 2005.

External links[edit]

Stephen Graham (19 March 1884 - 15 March 1975) was a British journalist, travel-writer, essayist and novelist. His best-known books recount his travels around pre-revolutionary Russia and his journey to Jerusalem with a group of Russian Christian pilgrims. Most of his works express his sympathy for the poor, for agricultural labourers and for tramps, and his distaste for industrialisation.

Biography[edit]

Graham was born in Edinburgh, the son of P. Anderson Graham, the essayist and editor of the periodical, Country Life. Shortly after his birth his family moved to Cheltenham. At the age of fourteen Graham left school and worked in London as a clerk in the law courts and the civil service. He began to study Russian under Nicolai Lebedev, with whom he spent a holiday at Lisichansk near the Sea of Azov - an experience which began a lifelong interest in Russia. Shortly after returning to Britain he gave up his job and returned to Russia to hike around the Caucasus and the Urals. Thereafter he supported himself by his journalism and his books. He also taught English in Moscow.

In the early 20th century Lord Northcliffe commissioned Graham to write reports from Russia for his newspaper, The Times. Not long after his arrival in Russia he met Rosa Savory, whom he married in Russia in 1909. He was twenty-five; she, forty years old. During World War I Graham found himself in the Altai mountains, from where he sent accounts of the war as seen from a Russian point of view, which were published in The Times and republished as Russia and the World (1915) and Through Russian Central Asia (1916).

Graham returned to Britain and enlisted in the Scots Guards, as a private soldier rather than as an officer, because ‘to serve in the ranks is a unique opportunity to get to know the working man.’.[1] He reached the Western Front in April 1918; and the following year published an account of his wartime experiences in A Private in the Guards (1919), in which he considers the human cost at which an elite military unit is created (one whose unofficial ethos was that ‘a good soldier was one who would not take a prisoner’.)[2] The book's first sentence is: 'The sterner the discipline the better the soldier, the better the army.'[3] The book explores the paradox that the ideals for which Britain was fighting could only be achieved by means that were frequently brutal.

In 1921 Graham revisited the western battle-fields and published his observations in The Challenge of the Dead (1921). Graham later spent some time in the United States of America. He published accounts of immigrants in the States; and after becoming a friend of the poet Vachel Lindsay published Tramping with a Poet (1922), which was illustrated by Vernon Hill. In 1926 (later reprints occurred) he wrote, The Gentle Art of Tramping. This book gives some insight into his values, as well as a guide to living a simple, traveler's life during that period in his life. In 1964 he published his autobiography, Part of the Wonderful Scene.

Bibliography[edit]

  • A Vagabond in the Caucasus (1911)
  • Undiscovered Russia (1912)
  • A Tramp's Sketches (1912)
  • Changing Russia (1913)
  • With the Russian Pilgrims To Jerusalem (1913)
  • With Poor Immigrants to America (1914)
  • The Way of Martha and the Way of Mary (1915)
  • Russia and the World (1915)
  • Through Russian Central Asia (1916)
  • Russia in 1916 (1917)
  • Priest of the Ideal (1917)
  • The Quest of the Face (1918)
  • A Private in the Guards (1919)
  • Children of the Slaves (1920)
  • The Challenge of the Dead (1921)
  • Europe - Whither Bound? Being Letters of Travel from the Capitals of Europe in the Year 1921
  • Tramping with a Poet in the Rockies (1922)
  • Russia in Division (1925) (Which detailed his unhappiness over the communist takeover of Russia)
  • London Nights (1925)
  • The Gentle Art of Tramping (1926)
  • New York Nights (1927)
  • Peter the Great: A Life of Peter I of Russia Called the Great (1929)
  • Ivan the Terrible of Russia (1932)
  • A Life of Alexander II, Tsar of Russia (1935)
  • Summing Up on Russia (1951)
  • Part of the wonderful scene: an autobiography (1964)
  • In Quest of El Dorado (1923)
  • Life and last Words of Wilfred Ewart (1924)
  • Under-London (1923)
  • Midsummer Music (1927)
  • The Lay Confessor (1929)
  • Everybody Pays (1932)
  • Boris Godunof (1933)

Most of the titles taken from Peter the Great..... published by Ernest BennLondon in 1929.

He also wrote of his travels in the United States.

[edit]

Further reading[edit]

  • Michael Hughes: Beyond holy Russia : the life and times of Stephen Graham, Cambridge : Open Book Publ., 2014, ISBN 978-1-78374-012-3
  • M. Hughes, 'The Visionary Goes West: Stephen Graham's American Odyssey', in Studies in Travel Writing; 14:2 (2010 June), p. 179-196
  • M. Hughes, 'Searching for the Soul of Russia: British Perceptions of Russia during the First World War', in Twentieth Century British History; 20:2 (2009), p. 198-226
  • S. Graham, "The Gentle Art of Tramping." (1926)
  • S. Graham, Part of the Wonderful Scene (1964)

External links[edit]

  1. ^Stephen Graham, A Private in the Guards (London: Macmillan, 1919), 212.
  2. ^Stephen Graham, A Private in the Guards (London: Macmillan, 1919), 217.
  3. ^Stephen Graham, A Private in the Guards (London: Macmillan, 1919),1.

0 thoughts on “Stephen 20th Century English Poet Novelist And Essayist

Leave a Reply

Your email address will not be published. Required fields are marked *